Performance





Creator & Director
CRIATURAS HUMANAS, from 2019


[ESP] Investigación sobre identidad, historias corporales y vestuario performático, adaptable a diferentes formatos performáticos (conferencia, fiesta escénica, talleres, pequeñas activaciones, instalación, etc)

[ENG] Research on identity, body stories and performative costumes, adaptable to different performance formats (lecture, staged party, workshops, small activations, installation, etc.)

Main Projects ︎︎︎






Director w/ Vecinas Chicoteras
NOCHE DE PISCOLABIS, work in progress︎


[ESP] Inspiradas en el texto El Padre de August Strindberg, analizamos al personaje “Laura”, e invitamos a personas que se dedican a disciplinas diferentes al arte a analizarla con nosotras.  Invitamos a seis personas a comer y a tener una experiencia visual, gastronómica y sonora en la que hicimos un recorrido de la personalidad de Laura, a través de los pasos de un menú (cocktail de bienvenida, entrada, plato fuerte, postre).
 
Test: Octubre 2020



Performer & Content development
CONTINUUM, 2021


Online performative dialogue by Cristina Maldonado (Mex) and Isa Juchniewicz (Poland)


[ESP] “Una pieza que re-imagina los medios de comunicación para despertar al cuerpo y encontrarnos con el otro. El aislamiento prolongado nos deja clara la necesidad que tenemos del otro para existir. Es la presencia del otro quien conjura nuestra propia presencia. Propone un espacio simbólico que acumula presencias del público y los intérpretes para formar identidades temporales y efímeras” -Maldonado y Juchniewicz.

[ENG] A piece that re-imagines media to awaken the body and meet the other. Prolonged isolation shows us the need we have for the other to exist. It is the presence of the other that invokes our own presence. It proposes a symbolic space that accumulates presences of the public and the performers to form temporary and ephemeral identities. 









Performer & Content development
DO YOU KNOW A PLACE THAT DOESN´T EXIST ANYMORE, 2022


Participatory performance by Mara Ingea (Lebanon)

[ESP] Los recuerdos están vinculados a los lugares, pero ¿cuál es el verdadero poder de esta conexión cuando las arquitecturas del pasado resurgen y traen momentos especiales? Una invitación a correr el riesgo de recordar. Arriesgarse a recuperar detalles, sensaciones y emociones ligadas a lugares que se perdieron. Es una invitación a compartir y rendir homenaje a lugares, porciones de espacio, rincones del pasado.


︎ Santiago Iregui

[ENG] Memories are linked to places, but what is the true power of this connection when architectures from the past resurface and bring along special moments? An invitation to take the risk of remembering. To risk bringing back details, sensations and emotions linked to places that got lost. It is an invitation to share and pay tribute to places, portions of space, corners of the past.

  ︎ Michael Lozano

Performers: En-Ping Yu, Kirstine Hupfeldt Nielsen, Mara Ingea, Susana Botero Santos
Content devised by En-Ping Yu, Kirstine Hupfeldt Nielsen, Mara Ingea, Susana Botero Santos.
Dramaturgy: Daniel Victoria, Cristina Maldonado.

  • Proces festival 21, Prague, Czech Republic, 01/2022
  • NGO DEI gallery, Prague, Czech Republic, 23/02 - 24/02/2022
  • Kaunas City Chamber Theater, Kaunas, Lithuania, 26/03/2022
  • Grid Center, Prague, Czech Republic, 01/05/2022
  • Disk Theater, Prague, Czech Republic, 03/12/2022
  • Prague Quadrennial 2023, 17/06/2023





LADIES NIGHT, 2016


Photoshoot with @Sustrazo




LA SEÑORA MENUDENCIA / CARAS AND ME, 2013



"La revista número uno en estilo de vida y sociedad de Colombia. CARAS tiene estilo, mucho estilo"

The imposed rules to be chic or beautiful.
Plasticity vs. myself.
My skin transformed to be exhibited in a social lifestyle magazine. The digital elimination of freckles and moles, as they are considered out of the beauty norm. My face covered by at least 4 layers of make-up. Dress and shoes that are not mine, but are chosen to depict who I am.
Appearances to fit, to be accepted.
An article about me, and my job.
An article against me and in collision with my job.